4/24/2023 0 Comments Kodak film thermos c 41![]() With these sheets I was able to confirm that my safelight had been fogging up my negs all this time by not being far enough away from the trays. I took your advice and diluted my D-76 1:3 or even 1:5 and then I tried developing in a Paterson tank using taco method for an hour to an hour and a half ish. I was finally able to get some decent sheets with the Fuji HR-U. I hope one day to have the quality of negatives that I see around here, but anyway, I'll keep trying. So although the negative is submerged in developer, I´m avoiding not to guide myself by the upper side but to lift it and see how the side that has direct contact with the bottom of the tray is. I am also trying to have the developer at a little more than 20 degrees. Anyway, now I`m used to turning off the light and turning it on every 30 seconds or 1 minute to see if the image is more contrasted. In those days I was able to use an 9x12 carpet and HC-110 and I did not have that problems at all. I would like to think the problem could be my safelight but I was using the same one when I was stuck in Argentina due to the pandemic. In both situations I just get a faint image or none image. At the begin when I notice that the edges are getting dark sometimes I just wait a few seconds and then I change the film to the stop tray but other times I just wait more just because I´m not sure if my negative it´s enough developed. I have read a lot that most of process are using some long periods than mine, about 5-7 minutes ish, but because I´m using stock, the "image" emerges around between 1 minute or 2. ![]() I´m developing under inspection, and def it has been overwhelming to recognize when the image start to emerge. I´m shooting with an old 18x24 FKD and using FUJI HRU and also Kodak Carestream. I was reading some probably issues about my own experiences with D-76 and that´s what I learned it which btw its not too much. ![]() Even if you're a complete amateur, the results you get with this amazing color negative film will have your friends continuously complementing you on your newfound photography skills.An old thread but certainly on the same page. This ISO 100 speed Kodak Ektar film produces excellent landscape photos and still shots, and is the film of choice for many photography experts across the globe. The results really do speak for themselves, as you can see from the level of detail, color, and clarity that you experience when shooting on Kodak Ektar film. Kodak Ektar film offers an amazing enlargement capability from the 35mm negative, making it the ideal choice for larger format prints. The film's fine grain allows for ultra-rich colors, incredible fine details, and an amazing level of sharpness. The film features Kodak VISION Film technology and has micro-structure optimized T-Grain emulsions to provide a high level of detail. Kodak Ektar 100 35mm film should work with virtually all 35mm cameras and a huge range of lenses, allowing you the freedom to create unique images that fully reflect your personality and own favored method of shooting. Still, this type of Kodak Ektar is mostly designed for shooting during daytime lighting conditions. ![]() Even if you shoot with an underexposure, you'll still see richly saturated colors. This allows you to adjust the exposure length to create unique effects. Preferred by many professional photographers as an alternative to digital cameras, Kodak Ektar color negative film is designed for shooting at lower speed. Still, for still photos and landscapes, the level of shadow detail and color saturation combine to create images that jump straight off the paper. This is especially important when shooting pictures of Caucasian people, as the high color saturation tends to make them look pink if not done properly. Either way, extra care must be taken when scanning the negatives, as the skill of the person doing the scanning plays a major role in how the resulting prints look. You can also develop the prints in your own darkroom should you happen to have one. As Kodak Ektar is negative film, the roll needs to be developed and scanned in a professional photo lab. The film has an extremely fine grain and incredibly high levels of color saturation, which leads to photos that have an amazing level of detail. This roll of 35mm Kodak Ektar film helps even amateur photographers to produce some truly world-class landscape and still photos. Even if you're not a professional photographer, you can still easily end up with professional quality prints using this low ISO film. This roll of Kodak Ektar contains 36 exposures of color negative film designed specifically for professional quality photo applications. Take your photography to the next level with this roll of Kodak Ektar 100 35mm Color Print film.
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